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<title>Verona, Italy</title>
<volumenum>5</volumenum>
<issuenum>5</issuenum>
<pubdate>2002-04-02</pubdate>
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<author><personname>
<firstname>Norman</firstname><surname>Walsh</surname>
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<copyright><year>2002</year><year>2003</year><holder>Norman Walsh</holder></copyright>
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<para>Verona, Italy</para>
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<para xml:id="p1">Most of the rest of the day was spent riding from Milan to
Venice in the bus. We did, however, stop briefly in Verona.</para>

<para xml:id="p2">I think the Roman amphitheater, actively being setup for a
presentation of Aida when we visited, and several fine architectural
features marked the highlights of Verona. At least the highlight of
the attractions that could be seen on foot in a couple of hours with
little or no prior planning.</para>

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<para xml:id="p3">I have to say that Juliet's Balcony was a
complete disappointment. (But that was predictable, so I can't claim
any great surprise.) Situated in a gorgeous little courtyard at the
end of a short alley-cum-tunnel from the nearest street, it is an
architecturally charming stone balcony. Unfortunately, every (and I do
mean <emphasis>every</emphasis>) square inch of the walls from the tunnel entrance to and
around the courtyard is covered in graffiti. And the place is mobbed.
And there must be some superstitious benefit associated with making
lewd gestures on the right breast of the bronze statue of
Juliet.</para>

<para xml:id="p4">Skip it. It's the tackiest thing I've seen in Europe (yes, it's
even tackier than the ferris wheel in Paris) and it borders on the
depressing.</para>

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